Tag Archives: Music
Bury Our Friends- Sleater-Kinney
Valentino- Diane Birch
Hypnotic- Zella Day
Updates On My Life (I know you’re all waiting with bated breath)!
Hello everyone! Sorry I’ve been absent lately. I have a lot going on with my life right now in regards to school, kerscorner, music, etc. etc. I have a lot of really amazing interviews that I will be posting over the next few weeks/months and I’m super excited for all of you to read them! Unfortunately, I have had to miss a few concerts recently (one of them being Warpaint, I really can’t talk about it without getting overly emotional) BUT I also have some great concerts coming up (think WET ((if you haven’t heard of them check them out))!
Aside from Kerscorner, I’ve been recording some of the songs I’ve written in the past and I’m having a really fun time with it! I’ve wanted to record some stuff for so long, so I’m really happy I’ve had the opportunity. I promise I will try to be around more, I’ve just been extraordinarily busy with midterms and everything else. You guys are the… (I was going to say raddest cats because I don’t like the phrase cool cats, but then I thought.. wouldn’t it be raddest rats… and that’s not fun, so I’ll leave it ambiguous)!
Here’s the song I recently recorded, “On The Road”! I wrote/recorded lyrics, vocals, guitar and bass!
Revolusion- Elliphant
Sophia- Laura Marling
My Q&A With: Eric Lilavois
Eric Lilavois has proved himself to be a man of many hats. His achievements and contributions to the music industry are vast and numerous. A few accomplishments to note: record producer, SXSW panelist, composer, talent buyer, recording artist and owner of two recording studios, to name a few. Eric has created, mixed, and influenced countless works and remains a highly influential producer in Southern California. Lilavois currently owns Crown City Studios in Pasadena, California and the renowned Seattle London Bridge Studio, in Washington.
How did you initially get involved in music production?
I was always fascinated by sound, I couldn’t fathom how all that emotion got on to that little spinning disc and I was dead set on finding out. When I started writing my own music and going into studios to record I was always the guy checking out every single piece of gear in the building and curious how it contributed to the sonic landscape. I had such a respect for recording engineers, and producers, they were magicians in my eyes. I played in a popular band and then my friends bands asked me to record them and it just went from there.
It must have been very exciting becoming a partner at London Bridge Studios, a place where you had previously recorded your own music. What was that experience like?
London Bridge Studio is an incredibly special place, so many iconic and legendary records were recorded there, Pearl Jam, Mother Love Bone, Soundgarden, Temple of the Dog, Alice in Chains, Blind Melon, Fleet Foxes… The list just goes on and on. You feel it when you walk in there. It’s an honor to be involved, and I’m deeply dedicated to preserving it’s history as well taking the studio into the future with my partners Geoff Ott and Jonathan Plum. We’re in the process of restoring the original 1970’s NEVE console that all of those records were recorded on, as well expanding, remodeling and revamping the studio to keep it intact for generations of musicians to come.
Your credentials and list of accomplishments are very impressive. What has been your best experience to date?
Saint Motel holds a special place, I produced a good part of their debut full length “Voyer”, we spent a really long time working together, and we recently did a cover of “A Quick One” by the Who for a tribute album from the music of Wes Anderson films that was just a blast. Working on the Acoustic version of “Trojans” with Atlas Genius stands out too. Keith and the guys are very present and we had a lot of fun geeking out together on gear and talking shop. Honestly though, each and every artist and session is memorable, even if some of those memories are, you know, hazy, haha!
You also record your own music. How would you describe your style?
I have a sound that is often characterized as Americana and folk with touches of rock.
My newest single is God in Our Glass and is a tribute to my close friend for over 20 years Ryan Hoherd, When you lose someone that suddenly, that close, you start thinking about all the missed calls, all the times you couldn’t make this thing or that. Suddenly it’s not, what would I do for another 5 years with this person, it’s what would I do for just one more hour. Ryan was a force, the life of the party, and an absolute prankster.
God in Our Glass listen link: https://soundcloud.com/londontonemusic52x52/eric-lilavois-god-in-our-glass
What would your advice be to upcoming artists trying to begin recording their own music?
Play your ass off, own your craft, your vision, and your art. Think about what inspires you, but don’t necessarily live strictly by the rules of your hero’s. Learn from them, but be mindful that they have different lives in different time zones. Be relentless, and don’t be afraid to surround yourself with people who are different then you musically, artistically, but make absolutely sure you surround yourself with people who share your desired destination, and are willing to work as hard as you to get there. Find people you respect and trust to work with, seek them out and once you do, actually trust them. There’s no use in working with a producer or A&R guy, studio or anyone else if you’re just going to revert to every old decision you would have made without them. At some point you need to say to yourself I’m working with this person in this place for a reason, and if you don’t believe that deep, deep down, then just don’t do it, do the other thing.
How can someone reading this interview get in touch with you to discuss a recording opportunity?
Email me at Eric@Ericlilavois.com I love to work with a myriad of bands and would love to hear from bands who are interested in working together.
Indecision- Shura
She always kills it.
My Q&A With: Narrow Plains
London, known for fostering copious musical acts, has once again served as breeding ground for an up-and-coming musical force. Narrow Plains, comprised of guitarist and vocalist Charlie Ferriday, bassist and vocalist Roger Connick, and drummer and vocalist Stuart Connick, released two new songs this past August. Along with their EP Somewhere in Between, Narrow Plains have hit the ground running. With seven released songs, big dreams, and undoubted talent, the band is making folk-rock waves.
How did Narrow Plains come to be?
Charlie was playing solo as a singer/songwriter while he was at University and had written some songs for acoustic guitar only. He and Stu (my brother) had started playing some gigs together and so they had rearranged the songs to include percussion. They really wanted to record them but decided they needed a more complete overall sound, so they invited me to join them to play bass for the recording session. We went down to my Gran’s place in Dorset with our instruments and some recording software. We spent a week playing the songs, rearranging them for a band format and then recording them. By the end of it, we had recorded five songs that we really liked and we decided to release them as an EP, “Somewhere In Between”.
We were all really enthused by the EP and decided to start playing it live. We did a lot of open mic’ sessions and accepted any and every gig that we could so that we could get tighter as a band. We all enjoyed the experience so much that we have stuck together ever since.
What was the process like writing music together while in entirely different locations? How were you able to manage that?
As I mentioned, the original songs came about in a slightly piecemeal fashion but nowadays we write the new songs together. All the songs have a different origin but, often, Charlie will come up with a riff or a chorus and bring it into the practice room. We then all chip in with ideas or lyrics until we have a basic arrangement for a song. We have got to know each other even better over the last couple of years, which is important because we are our own worst critics. It sometimes gets a bit heated but, somehow, we manage to get the songs written and still talk to each other afterwards!
The band did a really neat cover of “Cannonball” by Damien Rice. Who would you say your musical influences are?
Thanks, he’s a great artist and we all love that song! The new acoustic/folk movement has really shaped who we are, and bands like Mumford & Sons, Ben Howard, Noah and the Whale and Bon Iver continue to inspire us all. Charlie’s guitar playing has definitely been influenced by Newton Faulkner, particularly the slap technique you can hear prominently on our song “Dreams”. As we were growing up it was modern American rock music that sparked all our passions for music. We were (and still are) into bands like Jimmy Eat World, Blink-182 and Foo Fighters.
This past summer Narrow Plains played multiple well-known festivals. How was this experience?
Brilliant! We really enjoyed playing at so many festivals. It was an amazing experience to play in front of a lot of different audiences and on different stages. It has filled us full of enthusiasm to record our debut album and (hopefully) tour it next year.
Can you talk a little about the band’s newest release “So Rewind/ Keep You Away?”
“So Rewind” has been a favourite at our gigs for some time. We are very pleased with the final result. Although it is slightly different to our earlier material, it is a natural development and shows a bit of versatility with its pop overtones, samba-like rhythm and vocal harmonies. “Keep You Anyway” is another crowd pleaser. We think it shows a more indie sound and is a bit more raw than most of our songs. Charlie plays the harmonica on it and Stu and I get the chance to lay down a slightly heavier rhythm.
They are both songs that we have been playing live for the last year or so. We decided to release them as a “double A-side” single because we wanted to give our followers and friends a taster of how our sound is progressing and an indication of the type of songs that we’ll be recording on our debut album. We recorded the basis for both songs again outside of the studio. However, we did have some great help from Chris Daniels in the final mixing and mastering at his studio in Brighton.
Where did the idea for the Narrow Plain’s logo come from?
After we had recorded the EP, we all got together for a weekend at Charlie’s parents’ house in the south-west, bouncing ideas around and setting up the artwork with our great friend, Kraggy, who is a brilliant graphic designer. He was setting up our website and all the artwork for the EP. However, we were struggling to find a logo. Charlie’s Dad mentioned that he had heard there had been a really weird crop circle that had appeared overnight at a place, called Cley Hill, near his house. Cley Hill is famous for UFO spotters as there have been a lot of sightings, although some people put that down to the strong cider that is produced locally! We immediately googled it and found that a perfect geometrical shape had indeed been cut into the surrounding countryside. We all really liked the crop circle and so Kraggy used it as the inspiration for our logo.

