Let’s Talk About: Critics

A while ago I posted a snippet of this post but never the whole thing, so here we are. Late is better than never. 🙌

If you don’t live under a rock, you have probably heard that Lana Del Rey recently expressed her disenchantment with a critics ‘review’ of her newest album,Ultraviolence. If you do live under a rock, you are probably very pale and need some serious Vitamin D, and enlightenment as to the recent turn of events. Anyway, this ever growing confrontation between the two parties has rekindled a growing annoyance for me. Although it appears I may be writing about guacamole due to the title, unfortunately I will not. This post will actually serve to express my discontent and frustration following (and continuing to follow) the tiffs exchanged between an artist and critic.

I am a nineteen year old student. The music I listen to covers a wide range. My favorite artists vary from Lorde and HAIM to Joni Mitchell, Fleetwood Mac and Van Morrison with a hint of Arctic Monkeys and Arcade Fire and a dash of MØ and Rae Morris, etc. etc. plus about 1,000 other artists. When I begin listening to new artists, such as Lorde, that present unique and positive messages to our generation validating being individualistic or different, it is truly refreshing and inspiring. These artists present an image that is not necessarily ‘main stream’. I, and many other people my age, appreciate these unique independent artists after years of cookie-cutter, same old same old, ‘perfect’ musicians supposedly representing “us”. I consider myself a bit quirky, nerdy even, definitely not typical cheerleader-type. I appreciate that my generation is exposed to independent and alternative musicians like Lorde and Grimes offering a different concept of “pop”. Another artist I associate in this category is Lana Del Rey; she is the reason I’m writing this post.

Unfortunately, I read reviews that do not celebrate the talent of these musicians and in turn, diminish the abilities of truly gifted performers who have the courage and confidence to put themselves out there creatively. I used to feel disappointed when reading a personally critical review, now I feel anger. I have been trying to comprehend for quite some time now why the opinions of forty-something-year-olds are trusted to review and ‘critique’ music written by and for twenty-something year olds. The twenty year age difference may not seem substantial, but I would never write a review of a Jimmy Buffet album and genuinely think it would be a beneficial thing to put into the universe. As is always the case, the opinions of our generation versus the opinions of older generations are going to be inherently different for numerous reasons. Thus, is it really fair to these artists that someone in an influential position casts an opinion reviewing music created for a generation they would have difficulty understanding? The opinions that are not being heard may be the most important. They should be the opinions of our generation representing our generation.

Alas, back to the Lana Del Rey controversy. The infamous interview became uncomfortable and elicited quotes from Lana such as referencing that she wished she was dead already. These and other comments have caused reactions from the Cobain family and many others are also negatively weighing in. I will not take a stance on her personal comments or reference to dying young. I will say that I find it very unfortunate that she is being ridiculed for having particular opinions that may not be considered ‘normal’ or ‘relevant and logical.’ Some critics are quick to instigate controversy for media attention and twist statements that ultimately do nothing other than hurt the artists. I think it is quite unfortunate that flaws are enflamed and emphasized and the positive elements of the musicians are overlooked. Maybe Lana made some controversial statements. Rather than that becoming the focus of his article, I wish the interviewer had celebrated her new album as it is truly a work of art.

So there, Holy Gaucamole!

Today Is One Of Those Days…

…where I just want to sit and breathe and reminisce.

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(^ My Sister )

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Alaina from Tennis

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Avett Brothers

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I don’t know what this is.

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Lana Del Rey

Thanks for indulging this random picture post.

 

I’ll Try Anything Once- The Strokes

Songs on repeat lately:

“I’ll Try Anything Once”- The Strokes, “Milk”-Kings of Leon, “River”- Joni Mitchell, “Never Wanna Know”- MØ, “Unguarded”- Rae Morris, “Bird On A Wire”- Leonard Cohen, “Let Me Go”- HAIM, “Follow Me”- Chaos Chaos, “I Follow Rivers”- Lykke Li ( my goodness I have listened to I Follow Rivers like a fiend), “Money Power Glory”- Lana Del Rey, && “Spooky”- Dusty Springfield.

The soundtrack of my summer. (Cue Boys Like Girls song “Summer” lol memories).

Let’s Talk About: Ultraviolence

LDRThinking back to the ‘official’ beginnings of Lana Del Rey, with her release of “Video Games” in 2011 and comparing it to Ultraviolence, there is a familiarity in her music masked by a newfound maturity and rawness. Lana has proved herself to be the queen of crooning ballads and melancholy anthems, yet, underneath the icy surfaces of her previous works, there has been a warm core. A core with summer-athem capabilities, as seen with songs such as “National Anthem” and the well known remix that stemmed from  “Summertime Sadness.” With Ultraviolence, this is not the case. This album exudes maturity, but also occasionally reveals hints of something similar to vengeance. Lana is often criticized for her songs like “Without You,” which seem to undermine the idea of feminism and independence. With her latest release, that Lana is present but is juxtaposed with the new Lana who seems to be growing from the past and using her previous experiences as momentum to move forward.

Creatively, Lana always blows it out of the water. On this album, she incorporates a lot of references (Crystals- “He Hit Me (It Felt Like A Kiss)” & Phil Collins- “In The Air Tonight” among others). One of the things I have always found fascinating about Lana are the references she makes, both blatantly obvious ones and those that are not so easily understood. In “Brooklyn Baby” she refers to beat poetry and reading, in the same vein as when she referenced Walt Whitman’s “I Sing the Body Electric” on Paradise. Maybe it is because I love English, but I have always found these nods to things beyond the category of music extraordinarily charming.

Money Power Glory,” “Black Beauty,” “Brooklyn Baby,” “Ultraviolence“- one after another I am blown away by Lana’s familiar, yet entirely new sounding ballads. Then a song like “Florida Kilos” comes out of nowhere, with an introductory guitar riff that sounds like something from an early Weezer album.  This is then followed by songs like “Pretty When You Cry” and “Is This Happiness” which convey a genuine feeling of sadness and pain, more so than ever before.

No one knows the exact meaning behind the songs written on albums other than the artists themselves. However, when trying to see, or listen, beneath the surface of the music and the lyrics to obtain a real idea of the overall theme of this album, I think a powerful story reveals itself. In the past, Lana, much like any artist, has received a lot of love, but also an overwhelming amount of hate. People constantly criticize her life and scrutinize her upbringing and the choices she has made. The album seems to serve almost as a response to everything she has gone through. Yes, it appears as though her life is wonderful, she gets to tour the world and do what she loves. Yes, it appears as though she came from a wealthy upbringing and has always had it easy. Yes, she sometimes seems a bit hesitant to explore independence, yadda yadda. But sometimes, the grass isn’t always greener, sometimes you don’t understand what someone has gone through until you take a walk in their shoes,  sometimes you get your heart broken. Beside being a work of music, and a work of art,  Ultraviolence is a story. The story of Lana’s past, her saying screw it, and looking ahead for all that is to come.

Let’s Talk About: Lana Del Rey In Concert

I apologize for my absence recently. I was extraordinarily busy with finals and such, and realize I have been neglecting Ker’s Corner (which makes me sad). However, I am back in the swing of things, and to kick off my return, I wanted to talk about the Lana Del Rey concert I attended last night.

I have been a huge fan of Lana’s since 2010, and have been wanting desperately to see her live since then. Unfortunately, I was a slacker and didn’t attend any of her early shows because I assumed she would tour rather frequently. Big mistake, obviously, since I have ever so casually been waiting now for four years… but alas, the day finally arrived.

Jimmy Gnecco (from the band Ours) opened for Lana, which I thoroughly enjoyed. I also wondered the whole time what it must have been like to tour with someone who had written a song about you in the past (listen to one of her songs when she was Lizzy Grant about Jimmy Gnecco.. lolol).

When Lana finally took the stage, the sea of flower crowns erupted into cheers (to say I saw at least 500 flowers crowns is an understatement… I was not wearing one to clarify). Her performance was on an outdoor stage, which she continuously commented on, saying what a beautiful night it was, which was neat. The weather was just as perfect as the performance (that was so cheesy, my gosh).

photo 2Now to the performance, Lana’s stage presence is a bit awkward, which is what I enjoyed so much about it. Rather than put on a facade, she was entirely authentic. Her voice is even more exceptional in person, as she was allowed to stray from the vocal arrangements in her recordings, adding ornamentation and allowing her true talent to shine through. Her song selections were not what I was expecting, incorporating songs such as “Gods & Monsters” and “Carmen” into the set list. She also played “Young and Beautiful,” which was a pleasant surprise. Only taking breaks to ask for a cigarette and take pictures with fans, she continuously played through her hour-long set. I don’t know what it was about the performance that captivated me in the way it did. Maybe it was the fact that I will now finally be able to say I know for a fact she is better live than her infamous SNL performance from back in the day. Maybe it was her uncomfortable, yet confident presense and demeanor. Other than the occasional person vomming (aka vomiting) next to me, and the somewhat eerie onslaught of images that were projected on the screen behind her, the concert was everything I could have asked for and more.

I leave this experience beyond satisfied, pleased, and even more excited for Ultraviolencewhich comes out in a few weeks.

P.S. I am now in summer mode, so I apologize if my writing is lackluster. Oops. photo 3

Let’s Talk About: ATTN EVERYONE

This post title was way too aggressive for what I’m about to say. No I didn’t win anything or meet anyone cool or invent a new instrument, BUT, The Black Keys just announced their tour and for one leg they are touring with Cage The Elephant, one leg Jake Bugg, and the last St. Vincent, that is an excessive amount of talent and I think I’m slowly imploding.

That is all. Except:

1. It’s finals weeks so that’s why I’ve been a resident of Slacker City, post-wise.

2. If that first ‘paragraph’ wasn’t the longest run on sentence you’ve ever seen, then you’re a liar and I’m suddenly good at English.

3. Three more days until the Lana Del Rey concert, six until HAIM, and some amount of days until MØ, so you better believe I will be back with a bang (I just used so many B’s and I loved every second of it).